She recognizes her love for Appu and then together, embark upon a high-speed drive, chased by the police in the high range area. But this veil is not strong enough to sail through the turbulent wave of life. The choice that one makes to protect the mind, body, and soul. The story is not an untold one, but something everyone refuses to see through. Ideas are good enough but the character outlet seems very slow. Zaya’s story that evolves with the second half. One of the comedy scenes which is applaud-worthy is how priests indulge in immoral acts and how that is neglected as an everyday event in the society and media. This is a part where the story becomes more away from the main lead. The highlight of the second half is the story of Zaya and her justification of what she’s doing. The idea has become the trademark of the new gen movie which seriously lacks from an identifiable plot. Obviously, they fall in love, in a matter of days and the first half ends with this zealous quest to rekindle the love. He runs a humble homestay in Goa and into his life comes Zaya, a carefree, at the same time, a mysterious girl. Pranav‘s character Appu is introduced, as youth who’s not interested in following the footsteps of his Don father, Manoj K Jayan. In order to blow up this idea, comes the aid of poorly written dialogues are shadows of Mohanlal movies and other popular culture that are so cringy, one desperately hope for a fresh comic and action scene.
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